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Reviews

“Medbh’s language is frequently simple and unadorned; she is a poet who has come through the performance circuit and thus understands the primal power of the beat in poetry. Many poems are heavily cadenced and song-like, for example ‘Big Bong’, where “our knowing is a no to knowing no / division between being and the void” or ‘The River Ward Steals My Eyes’, with its incantatory evocation of the Co Dublin river that “flowed past the castle and the ancient church, / past the rowan tree, past hazel, / past the houses on the crest.”
(Review of When the Air Inhales You, Irish Times, March 2009)


“Medbh avoids sentiment and portentousness. Balancing form and idiom, she uses poetry for what poetry does best – invention, discursiveness, the many voices – while side-stepping cacophony.”

(Review of Tenant, Poetry Ireland Review, Spring 2000)


“Medbh’s magic is to remind us – men and women alike – that life is a performance, and that creatively describing it requires a form of action, linguistic or physical or both.”

(Books Ireland, February 2004)

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**Savage Solitude to be published by Dedalus Press.** See News Page for details.

Hello,

I am a poet, though what that means as a personal description I’m not sure. It means, at least, that I have had five collections of poetry published, and a CD. Their titles are here, and four are available to buy. So I write poetry. To call oneself a poet is also to say, I think, that one is highly sensitive to certain aspects of life and how these aspects can be communicated through the music of language. ‘Music’ and ‘language’ must be yoked together when we are in the realm of poetry. A poem is a piece of writing whose structure and linguistic content mirrors closely the experience it seeks to convey.

But being in the world, having a body and a consciousness born of that body, is the first reality. After that, there’s what you do. Some people find it remarkably easy to say ‘what’ they are in terms of their occupation, as if that were the prime fact. As far as I’m concerned, I’m a sensing organism which projects its nature by doing certain things. The simplest epithets I can use here are ‘human’, ‘female’, ‘poet’ and ‘writer’. I have done, you might say ‘been’, many other things. The writing came before I could properly write, when I doodled meaninglessly. The poetry is deeper, and is more in the attitude of mind, which is body. That brings me to performance, and I’m chiefly known as a performance poet. So I’m a performer too. That doesn’t mean I’m a slam poet. I can’t abide slams. For me, being a performance poet means that I recite or sing my poetry, and that many of my poems are inherently dramatic.

As well as poetry, I’ve written three novels and the first in a planned four-volume story for children. My fiction leans towards the organic, like my poetry, and the worlds my stories inhabit tend to be symbolic. I also write non-fiction, and have just had a book of dialogues and pensées on solitude accepted for publication by Dedalus Press. This book, Savage Solitude, uses a structure that conveys its purpose, which is to explore the mind of a reluctant loner, a person who would say, like Pessoa’s Bernardo Soares: ‘ Solitude torments me; company oppresses me.’ I suppose that’s something else I am.

Máighréad Medbh

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*My most recent collection, Twelve Beds for the Dreamer, was published in November 2010. Copies available for €15 plus postage. View / Buy.
Read an excerpt from the collection here.


Buy Online

     
Twelve Beds for the Dreamer
Twelve Beds for the Dreamer
Arlen House 2011
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When the Air Inhales You
When the Air Inhales You
Arlen House 2008
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Out of My Skin CD
�Divas!
Arlen House 2003
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Out of My Skin CD
Out of My Skin CD
Odin Poetries 2003
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